2005年我創作了第一個新媒體作品《電視鐘》，20年後在M+亞洲前衛電影節2025：流光為證中再次展出。 《電視鐘》以實時電視節目重組成一個數字時鐘，嘗試去探討媒體內容的存在價值。

In 2005, I created my first new media artwork, “TV Clock,” which will be showcased again 20 years later at the M+ Asian Avant-Garde Film Festival 2025: Time Will Tell. “TV Clock” reconfigures real-time television programs into a digital clock, exploring the intrinsic value of media content.

除了時鐘，我們還可以透過陽光、影子和聲音來感知時間。對朱力行而言，電視是獨特的報時工具。2005年，他在完成日間工作後從事藝術創作，總是開着電視。即使不刻意觀看，他也能根據播放的節目推算時間。這個發現讓他開展實驗，將電視實時播放的內容與24小時制數碼時鐘結合。這時鐘從多個電視頻道擷取實時畫面，隨當下節目內容不斷變化，令每一秒都成為獨一無二的作品。

From sunlight and shadows to the sounds around us, there are more ways to tell time than by using a clock. To Henry Chu, television serves as a unique timekeeper. Back in 2005, while working on his art after his day job, he always left his TV on. Chu realised that he could tell the time based on the TV shows playing, even without actively watching them. This revelation led him to experiment with combining real-time television with a twenty-four hour digital clock. Using multiple TV channels, this clock operates in real time, changing according to what is playing on TV. As a result, every second is a unique work of art.

TV Clock 電視鐘

Generative video

2005

（可能是）我第一個新媒體作品 。把實時電視畫面重組，變成時鐘。本來想說資訊在時間河流中的流逝，但當時播放的節目是寵物小精靈，現在 Pokemon 已經變成 timeless 經典，戰勝了時間。

作品贏得第十一屆 IFVA @ifva_hk 銀獎

(May be) My first new media artwork, the realtime TV program was transformed into a digital clock. The artwork received a Silver award from the 11th IFVA.